Hand-Finishing Possibilities

Post examples...
Of framing styles or techniques that rocked your boat, and also of those that didn't
Not your average framer
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Re: Hand-Finishing Possibilities

Post by Not your average framer »

Spit wrote:I'd like to, but sadly I don't know if I'll still be in business after December. There just isn't enough people who appreciate quality here, they just want it as cheap as possible. Maybe I'll re-open somewhere a bit more affluent (which means moving away frome here!), but it looks like I'll have to go back to IT to reduce the debt.
This is not an easy one to answer and I've thought long and hard about this before answering, but not to answer would seem un-caring. So for what is worth, here's my twopence worth.

In the present economic climate, moving somewhere else may be very hard to do right now and may turn out to be no better after having moved, also most companies are trying not to hire anyone right now. Sorry to be so blunt, but looking at what you've said, I would say that you've already specified the market area which works in your location. O.K., it's not the market you most wanted to address you skills to, but those who specialise in the lower end of the market, often do better than one might suppose. Some of the budget mouldings will stand a lot of mark up and still appear to a customer as being a good deal. Perhaps it's worth looking into.

Although I try to concentrate of the better end of the market, I still offer a range of cheaper mouldings too! These have a very good mark up and also contribute to my financial survival. Survival is what we all need to be aware of in these coming days. On the forum, I may sound like I've got it together, but I'm no less concerned about the future that you are. Each one of us is gonna need to adjust our business in some way to recognise the difficulties ahead. My own concerns may be a little different to your own, in so far as I struggle to maintain a reasonable work rate, due to my health problems and therefore need a good mark up because my rate of work requires it.

I've no idea whom I'm quoting, but it has been pointed out that "circumstances favour the prepared". My advise is to exploit what ever oportunities you can, which may include the I.T. work if that's what you can get. Whatever happens, or which way you decide to take things, I wish you every success!
Mark Lacey

“Life is short. Art long. Opportunity is fleeting. Experience treacherous. Judgement difficult.”
― Geoffrey Chaucer
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prospero
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Re: Hand-Finishing Possibilities

Post by prospero »

Image

Image

F.A.O. gesso.

click pics for a bigger version. :D
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Not your average framer
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Re: Hand-Finishing Possibilities

Post by Not your average framer »

Hi Prospero,

I like the effect, very nice indeed! I've assume this is prompted by discussions of tortoise shell effects in another thread.

I've done tortoise shell effects myself, using the technique described in Peers Feltham's book on the art of picture framing which looks very good, but is extremely time consuming to do. I don't think I would be so interested in the Peers Feetham method if there is a next time.
Mark Lacey

“Life is short. Art long. Opportunity is fleeting. Experience treacherous. Judgement difficult.”
― Geoffrey Chaucer
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prospero
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Re: Hand-Finishing Possibilities

Post by prospero »

I remember how I did the t/shell now. :D And it don't take too long. Base coat of raw sienna acrylic. Then paint over with a very diluted mixture of burnt umber/black. The paint will ' bead up' on the surface. Leave it to dry like this and then buff up with wax. No dibby-dabbling involved.

The maple takes a bit longer. Start with Yellow Ochre with maybe a bit of Raw Sienna if you want it darker. Wash with thin Burnt Umber and mop with a paper towel. Then you have to build up the streaks with dabs of black/brown mix. When it's half dry dab with a wet paper towel to lift the top colour washes off in patches. Takes a bit of practice. :wink: For the 'birds eyes', splatter with clean water and quickly blot off. It's best not to overdo this stage. When thoroughly dry, wax all over. Don't buff. Dust with rottenstone when the wax is dry and then buff up. Magic. :shock:

Using the same basecoat/wash method you can do some nice effects on inlaid panels. Black sponged over red looks very hansome. Black over bright green for a malacite. I find it's best not to overdo the effect, unless you want it loud. Did a nice blue one the other day on a 4x3 oil. Came out well in the end. Trying to get and even-but-random finish on an 18ft perimeter 3.5" wide is not for the faint-hearted. :o
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gesso
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Re: Hand-Finishing Possibilities

Post by gesso »

They are both very nice finishes. Have you tried you t/s finish over metal leaf? you may get an even more orthentic look.
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Re: Hand-Finishing Possibilities

Post by Moglet »

prospero wrote:Trying to get and even-but-random finish on an 18ft perimeter 3.5" wide is not for the faint-hearted. :o
Props! :rock:
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